Latest:
Oct 1, '24-- Another single featuring Lisa on electric violin released by Crimes of Passion (side project of 2nd wave goth band IKON/Australia), this time for a compilation released as part of the Melbourne (Australia) Fringe Festival. 25 years after Lisa's solo performance in the Philly Fringe Fest (Sept '99), she is pleased with this collaborative release as part of cool international digital fest format. By invitation of Crimes of Passion/Ikon's Michael Aliani, "We Are Forsaken" is one of several tracks to be released in an EP involving Lisa and the band
Releasing Feb 23, '24 a very special composition inspired by Lisa's 2nd trip to Sicily-- "Saracen Lullaby," a collaboration with master teacher/musician Barbara Crescimanno from Palermo. More info, below
Nov. 25, 2023: Release of ZAGARA, an album of 10 select works on electric violin & mandolin (previously-released solo/collaborative singles). Available digitally & on CD exclusively on Bandcamp, as all (discography link under Lisa's Music in menu above). See next section below for more info !
Lisa is featured on a single released by Crimes of Passion (side project of 2nd wave goth band IKON/Australia) for Goths for Sanctuaries compilation (Oct '23). "A Dark Desire" is one of several tracks to be released in an EP involving Lisa and the band
Further-down-the-road surprise collaboration release w/ another long-standing '90s gothic band TBA
- - - - - - - - - - - - - - - - - - - - - - -
PAST:
Lisa acted as independent agent for the "North-South Gothic-Deathrock" March/April '23 U.S tour w/ Two Witches & Dec '22 Finland 4-city tour with The Flatfield, Chaos Research & Two Witches. Conceived and coordinated by Lisa & hosted by Jesucrisis
see JESUCRISIS page for full detail on the '22/'23 tours:
Finland, Dec. '22: Seinajoki, Tampere, Helsinki, Lahti
U.S. March/April '23: Pittsburgh, Akron OH, Washington DC, Philadelphia, New York City
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
June/July '22 Jesucrisis South America mini-tour Santiago de Chile & Buenos Aires, Argentina
~ Rolling reverse-chronological info. continues below next sections ~
This piece in 3-parts culminates in a surreal dream-state of distorted, dissonant, driving electric violin… but only after sotto voce acoustic violin and voice introduce this age-old obscure lullaby, of Saracen (Arabic) origin, sung in the fields of Sicily from 877 onward.
The hushed melody and unusual verse-ends haunted me during a recent time in Sicily, and I immediately knew I wanted to treat it with both acoustic and electric violin.
This composition was recorded in the U.S. & Sicily, and mastered in Portugal by Tarannis M. BGenesis of NU:N/Black Genesis Records.
This centuries-old song is an almost-forgotten gem-- exotic, lovely, intimate, but also humorous, as a Mother implores the help of the universe to bring sleep to a restless daughter:
"My daughter, rest a little
I'm serious, I am not joking...
Sleep, come from afar
Take this daughter hand by hand...
I send you in the heaven with music and sounds…"
Both sotto voce & surreal, this piece was conceived by Lisa when she visited Sicily for a second time in June ‘23 for a creative, ancestral, ritualistic exploration and retreat. A collective gathering of participants who, like herself, all have Sicilian blood. Organized by Radici Siciliane and led by master teacher Barbara Crescimanno of Arci Tavola Tonda, it was an unforgettable experience that fed Lisa’s creative work. The group was brought to sacred and historical sites over 10 days, the places less celebrated by christianity than by devotees of the women saints and martyrs and cave-nymphs that tell the true story of the island’s divinity. At each of these, Barbara taught and guided the group to understand and explore the voices and drum beats and movements of Sicilia, as well as their own.
In particular, this haunting melody sung by Barbara periodically throughout this time together seared into Lisa’s very being above all others. The need to re-create in some sort of homage on acoustic violin was intensely felt. Yet at the same time, a foreknowing that the lullaby would then also transform via electric violin, Lisa’s main compositional mode since 2015. This third electric part of the song became the dream-state, wild and overdriven, dissonant and distorted... with touches of a child playing and running, transformed from the calming balm to something almost nightmarish, but always Mother's voice echoing as anchor.
Lisa carried back to the States a primitive recording of the full group attempting the song, but it was deep-remembered Barbara’s voice that fed Lisa’s constant humming of this tune, in mind even more than over lips. The a-o verse-end, more than anything, denoted this primitive song as magical to Lisa.
The lullaby is age-old, of Saracen (Arabic) origin in its melodic dorian mode, sung by Sicilian mothers oft in the fields of wheat and olive and fruit groves, as they attempted to lull their accompanying daughters to rest and sleep as they finished their days-long work. The Saracens were in Sicily from approx. 877- 1042 and beyond, and their influence felt culturally, in architecture and music and Sicilian food to this day. The Saracen blood of most all Sicilians, whose ancestors co-mingled with so many culturally divergent peoples in the Mediterranean, is a living, intense testament to the unique heritage that is Sicilia.
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Major solo work "Where Grace Ever Resides," a Violin/ Voice duo w/ longtime Pgh collaborator Adrienne Wehr released Fall '21
Guest on'21 album ("Deepland" Exclusive Single '19) by legendary Two Witches (Gothic Rock, Finland), along w/Vlad Janicek, original member of band The Nosferatu. Lisa laid this track while attending the Lumous Gothic Festival in Tampere, Finland, July '17, in the studio of Marko Hautomaki of Two Witches and Chaos Research
Original collaboration w/ Post Machinery Environment (Argentina based)-- composition & streamed video performance of "No Days", April '21
"HIDE" single Release Oct 31, 2020 ~ Helsinki, Finland's The Flatfield w/ LisaMilesViolin
JESUCRISIS home studio streaming performance releases for 2 South American festivals, Sept/ Oct '20
LA/SoCal tour Feb 2020 & Lumous Gothic Fest, Finland, July '20
... see JESUCRISIS page of this website!
JESUCRISIS album release 12/25/19
Nov 2019 exclusive single (and JSC digital album bonus track) of Serpiente de Nuit Solo Violin & Mandolin
Jesucrisis Latin American Tour March 20-30th, 2019-- The band headlined three shows (two dates in Santiago de Chile and one Lima, Peru)
2018 Lisa solo EXCLUSIVE SINGLE w/ renowned Berlin-based vocalist Ger Egan (of 90s dark post-punk This Burning Effigy & current-day gothic rock October Burns Black).
A few solo pieces of Lisa's were added to her discography on Bandcamp in Spring of 2019 & 2018, as well: Vicissitudes, Violo & Tensile Strength.
2017 New band member w/dark postpunk gothic/deathrock JESUCRISIS. Two collaborations released the first year, one the Exclusive Single "Serpiente de Nuit," which set the stage for some new compositional direction within the band. Lisa also laid tracks for The Flatfield, Two Witches and Chaos Research gothic and darkwave bands/ensembles in Finland. (Lisa having attended the Lumous Gothic Festival in July and doing studio session work).
2016 Lisa's well-received 4-track EP Intention was released, remixes of her best new solo work since 2015. As well, she had inclusion in a Post Alternative Visions compilation with the Exclusive Single "As Moths," a collaboration w/ an Italian poet. Collaborations and Exclusive Single w/Greek gothic artists Come With Reverse (Bonus Track on Mislealia Records for "Imeros.")
2015 Live gig w/ Come With Reverse at the Silver Dollar in Thessaloniki, Greece (Dec). Lisa also began film/ soundtrack projects with Reverse composer/ keyboardist Alex Passalides.
2012 Solo performances at The Cornelia Street Cafe (Greenwich Village) NYC and Youngstown State University (w/ additional literary engagement) for the CD release "Nalada" (see Background Info section below)
Major solo work, instrumental/ spoken word piece with longtime Pgh collaborator Adrienne Wehr
Lisa is a classically trained professional steeped in the post-punk underground since University years. Not just pretty, pretty violin but uniquely original solo pieces and she a powerful guest or collaborator who brings dark, atmospheric punk spirit and bite. Her original work ranges from dark, edgy, textured, dissonant, uniquely rhythmic… to spacious, haunting, meditative and distorted (real instrument soundscape). Driving and atmospheric industrial ambient electronic sound as well as previous spirited, inventive, heavy chordal and lush dark pieces composed for acoustic strings (violin w/cello, bass)– many done in collaboration w/ dancers, filmmakers and theatre artists as well as solo performance set. (These were later released in 2011 on her CD "Nalada" /Ravello Records, w/ support by the Joe Strummer Foundation for New Music ).
Lisa took a bit of a hiatus from composing original material, or performing solo or with bands while she had two literary works published ('02 and '07). She returned full-force to her main creative interest in 2015– her original music. This time though, solely on electronic violin and mandolin, and solely of the darker sound she most gravitated to when first becoming versed in post-punk underground artists, and which has always internally steered her sound.
Since 2015, Lisa has worked with artists from Greece, Italy, France, Venezuela, Mexico, Finland, Ireland, Germany and Chile. In '20/'21 composing for bands from three more southern hemisphere countries was added to that list. Her solo and collaborative material has been played on radio podcasts across North America and Europe, and spanning from Argentina to Australia, Alaska to Russia, Iceland to Chile. Her discography is available for streaming and purchase at Bandcamp. com.
Prior to her renewed work of the last couple years, Lisa had numerous collabs w/ musicians going back to the ’90s– tons of studio tracks, including composing & performing w/internationally-acclaimed avant-garde electric harpist Anne LeBaron (after Lisa's work caught her ears) and solo original set and indie performance film music showcased in NYC, Philly, Boston, Toronto & Argentina.
Her formative influences? The Clash, Joy Division, Nick Cave, Swans, Crime & The City Solution, World of Skin, Bauhaus, early Cure… Shostakovich. Current likes and inspirations are colleagues found within the international, modern-day, dark post-punk scene... which include artists spanning from Latin America to Norway, Australia to Barcelona, Berlin, beyond...
As hers is distinctive original work suitable for film, theatre, dance and the like. Lisa is always interested in soundtrack/other commissions (large or small project) and licensing of original music. She holds the rights to all of her original music -- thus pre-cleared, all sync & master controlled.
ALL RIGHTS RESERVED Contact lisamilesviolin@comcast.net for all inquiries.
... from esteemed artist colleagues and fans
Stream & Purchase Lisa's Music
Full Discography on Bandcamp
See Performances and Videos: